MIGNE.APP

Cruces

Vita et passio S. Thomae Cantuariensis

Anonymous — read the work →

These are the edition's working notes, published as they were written. They record, work by work, where Migne's plate is defective or the reading uncertain: the printed form, what the English does with it, and why. They are not a groomed apparatus. Where a note argues with itself, withdraws an earlier decision, or leaves a question open, that is the record of how the reading was actually reached, and it is left standing — a conjecture that is visible can be checked, and one that has been tidied away cannot.

The English never silently repairs the page. A construable but wrong reading is rendered literally and the conjecture is recorded here, never applied to the text. How the English is produced and checked →

Garbled or doubtful type in Migne's plate, logged here. The English renders what the plate prints, per translation-style.md Pattern 7: a printed reading that is construable is rendered literally even where it is odd or says the opposite of what the argument requires, and type that is not a word at all is carried into the English untranslated, in italics. The conjectured reading is recorded here and only here; it is never applied to the running text. (Parts of this work were first translated under the withdrawn "intended reading" convention of src/english/10103/cruces.md; those places were re-rendered from the plate on 2026-07-28.)

Prologue and chap. I (chunk 0000)

Chap. II (chunk 0001)

Chaps. III–IV (chunk 0002)

Attribution

Migne's authors: ["Auctor incertus"] is right as far as it goes, but the prologue names its own method and sources explicitly (cols. 0345A–B): this is the first Quadrilogus, a harmony woven from four eyewitness biographers — Herbert of Bosham, John of Salisbury (here "John of Chartres," from his later see), William of Canterbury, and Alan, abbot of Tewkesbury. The compiler is conventionally identified as Elias of Evesham (working c. 1198–1200); Migne does not name him, and the text itself does not, so the frontmatter is left as Migne has it. Migne's own closing note (0352B) distinguishes this "quadrilogus prior" from a "secundus quadrilogus" in five books.